Thursday, February 19, 2015

Commission a Portrait, getting ready for the Portrait Commission: Clothing

This is one of the most difficult aspects to the portrait. I have read about how John Singer Sargent used to spend a frantic hour rummaging through women's wardrobes and in a make-shift way put together the outfit for a painting...and request no opinions from the client! This is because for a painting to really sing, the clothes take a major role on the stage. They speak in so many ways and embellish and empower the artist to push the painting to where they wish it to go.

So what to do? I recommend the standard of having 3 outfits on hand. I have also gone through wardrobes, closets, drawers etc to find the treasured garment for a portrait. It feels brash, but that is how important it is...It is very difficult for the non-artist to understand what makes clothing work in a painting and it's hard to communicate, but I'll try:

1. Neckline: V-necks are very flattering to the face. Scarfs can be appealing, but watch they will not become dated.

2. Pattern: less is more

3. Fabric: something that has some shine will be nice for a formal painting

4. Color: this will greatly affect the mood of the painting.





Sonia Hale is an award-winning, nationally-collected artist in Boston. She paints commissioned portraits for families and institutions nationwide. Her original landscape and still life oil paintings can be purchased at http://www.soniahale.com. For more information, go to http://www.soniahale.com. You can reach her by email at soniahale1@gmail.com.